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Romanov Riches: Russian Writers and Artists Under the Tsars

In a sweeping cultural history of Russia from the rise of the house of Romanov in 1613 to its downfall at the hands of the Bolsheviks in 1917, Solomon Volkov effortlessly unwinds the twisted relationship between art and the royal family.

Throughout the Romanov dynasty, Russia’s greatest artists and thinkers, painters and poets, composers and dancers, served two masters. De In a sweeping cultural history of Russia from the rise of the house of Romanov in 1613 to its downfall at the hands of the Bolsheviks in 1917, Solomon Volkov effortlessly unwinds the twisted relationship between art and the royal family.

Throughout the Romanov dynasty, Russia’s greatest artists and thinkers, painters and poets, composers and dancers, served two masters. Devotion to craft—or principle—could never wholly eclipse dependence on the tsars. Similarly, consumers of Russian culture could never respond without political consideration: Volkov recounts how, at the 1836 premiere of Glinka’s opera A Life for the Tsar, fashionable audiences watched Nicholas I in his private box to see how they ought to react. He wept, and they wept accordingly.

In this spellbinding story, we watch the great figures of Russian history clash. Alexei, father of Peter the Great, befriended the writer Avvakum only to banish him; the next tsar, Fedor, had Avvakum burned alive. Using her notorious charms, Catherine the Great masterfully wielded political control over her culture industry. For his part, Pushkin became the first favored artist to resist the tsar’s influence. His poem “To Liberty” is cherished as a revolutionary work of dissent. But even Pushkin’s genius went unspared: Alexander tired of the poet’s literary and amorous freethinking and banished him from St. Petersburg.

Romanov Riches is a work of epic scale that never sacrifices individual characters for broader themes. Gogol, Dostoevsky, and Tolstoy are presented in a devilishly intricate dance with their royal patrons. A truly essential work for anyone who wants to understand Russia’s passionate devotion to its most important artists, it is the prequel to Volkov’s acclaimed work The Magical Chorus: A History of Russian Culture from Tolstoy to Solzhenitsyn. . more

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Compared to his Magical Chorus, I think it is evident Volkov’s true personal affinity for Russia’s literary offerings starts in the late 19th century. His authority when speaking on the artists and writers fueling the 20th century onward seems more heartfelt and nestled. I can relate to that, but read this as a precursor, to pay homage and learn more extensively about those who «set the stage.»

So, I enjoyed this book because, let’s be honest, there are enough pages dedicated to the life of the Compared to his Magical Chorus, I think it is evident Volkov’s true personal affinity for Russia’s literary offerings starts in the late 19th century. His authority when speaking on the artists and writers fueling the 20th century onward seems more heartfelt and nestled. I can relate to that, but read this as a precursor, to pay homage and learn more extensively about those who «set the stage.»

So, I enjoyed this book because, let’s be honest, there are enough pages dedicated to the life of the Romanovs. Don’t expect an extensive biography on the tsars. Instead, this book provides excellently resourced and interesting accounts of those patroned (or patronized) to offer artistic contributions and cultural counterpoints occurring as the Russian dynasty escalated and waned.

I reviewed this wonderful book for the New York Journal of Books when it was published. Here is some of what I had to say: «To those used to the utter lack of respect given to artists in contemporary times, especially in America, the topic of Mr. Volkov’s book may seem puzzling. But as difficult as it might be to believe, artists and poets were taken very seriously at other points in history. Romanov Riches offers up a close and personal view of the intense relationships that existed during the I reviewed this wonderful book for the New York Journal of Books when it was published. Here is some of what I had to say: «To those used to the utter lack of respect given to artists in contemporary times, especially in America, the topic of Mr. Volkov’s book may seem puzzling. But as difficult as it might be to believe, artists and poets were taken very seriously at other points in history. Romanov Riches offers up a close and personal view of the intense relationships that existed during the Romanov Dynasty, from its beginnings in 1612 to its overthrow in 1917, between the rulers of Russia and the country’s poets and artists.

This dynasty ruled for over 300 hundred years, during a tumultuous time in world history. As an enormous empire, it covered over a sixth of the globe; the cultural achievements of its artists were known and admired throughout Europe.

This book is the first to examine the relationship between those artists and the Romanov rulers, and to dispute the caricature of the Tsars as indifferent to the arts. Mr. Volkov writes, “Yes, the Romanov men were first and foremost military by profession, which is understandable, but as most of them were people of excellent education, they took a lively interest in literature, architecture, music, painting and theater; and some of them (especially Peter the Great, Catherine the Great, and Nicholas II took a hands-on approach to culture building.”

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